Here’s another of my Southbank photos and an accompanying haiku that I’m using for a small series of Little Gems.

The suncast shadows
were longer than
the sum of their lives together.
This was taken around 3 o’ clock on a sunny, cold New Years day in London. For me it was one of those ‘haiku moments’, a moment of clarity. I love the movement in this photo – the long, late afternoon shadows stretching into dusk; the tree reflection in the footstep scattered rain puddle; the groups of people strolling along, each in their own worlds and always the River Thames flowing towards the sea. The people especially capture my imagination – someone turns back to look at Big Ben and the Houses of Parliament, a man sits alone on a bench, the two pairs of lovers in the foreground are who I have written about.
But is it a beginning or an ending? A realisation that their love is eternal, always, forevermore and they have at last found each other after centuries and aeons of searching. Or a sad acceptance that their love has reached a limit, come to the end, grown very small. The realisation of an ending. Their time together is shorter than the suncast shadows. Soon dusk will fall into another long winter’s night with no promise of spring.
I’ve printed this photo onto silk chiffon, acetate, lutrador and vilene.

I wanted to use typescript for the text, in keeping with the reportage quality of the piece. My typewriter script is too small, so I went online to dafont.com, downloaded ‘Fucked Olympia’ and printed the haiku onto tissue paper.

For one of the pieces I zigzagged the photo onto fabric, made a pillowcase binding and collaged the text on with acrylic gel medium. Next I’ll hand and machine quilt it.

Here I used some fabric I’d monoprinted as the base and bondawebbed the photo into place. I mixed gel medium with black paint to darken around the text and then put a layer of black tulle over the piece before machine quilting it. I put a strip of gold mesh along the bottom to give some brightness and hope.



After the quilting, I zigzagged around the edge.

I’ll post a couple of others when I’ve done some more work on them.


4 comments
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August 15, 2009 at 11:25 pm
Tom Schulz
Melinda,
I really like the photo – Urban Escher. And I appreciate the depth of discovery that you are ‘applying’.
Check out my son’s blog – http://brilliantworldtokyo.blogspot.com/2009/08/bw-creative-competition-2009.html
He is hosting an art competition through his concept organization, Brilliant World. Maybe we can take this thing global. But the clock is ticking!
Best,
Tom
August 16, 2009 at 11:02 pm
Schwakhofer
Thanks for the link Tom. It sounds really interesting! I may just submit something, but only if I have a nearly completed, suitable project lying around. I don’t do short deadlines!!!
August 16, 2009 at 6:33 am
Pam
You’ve done an amazing piece of work Melinda! Seems so much technique goes into it. I think that’s a lot of my problem with my craft………I feel I have to work through it quickly, so therefore if I think it will take too much work or time I just don’t do it! Even though I would dearly love to. Beginning to think that this attitude goes back to doing what I think people want me to do and not what makes my heart sing. I have a bit of work ahead of me I think! :) Need to step outside my square and free myself. Oops sorry…..bit deep there. :-D
August 16, 2009 at 10:58 pm
Schwakhofer
Thanks Pam and we like deep here at Inspiraculum! ; ) One of my major blockages is perfection which can keep me from trying something new. What I like about these Little Gems is the small (A4) size which enables me to experiment and make mistakes/discoveries. I printed these photos about 2 1/2 years ago and have brought together several techniques that I’ve gathered over several years. Sometimes I procrastinate and avoid making due to my creativity-related fears and other times, an idea just needs time to germinate before it’s ready to come into the world. I’m trying not to worry whether it’s one or the other and just make the time and space to do the work (or not). I have a couple of other small format/no pressure/long away deadline things I plan to work on this autumn as life here in Moreton settles down into a more even rhythm.