When I was in furniture school in 1998, one of the students brought in a little chair to do some restoration work on. It was made from solid bird’s eye maple, which is very unusual; normally that wood is used for veneering. We reckoned that the chair had come from a church or a chapel. Perhaps it was made to sit in the vestry, to be sat on. I made a copy of it from oak.
I have it be a chair for the artist.