“My ancestry and the history of colonization in North America,
place me as a witness to the untold stories of this continent.
I can either take up that role of witness or ignore it.
I choose to witness . . . . “
The first room that people enter when they come to my Open Studio is filled with my artwork inspired by the Muscogee (Creek), the tribe that I belong to. The work honours my people, our traditions and tells many stories. Most of the work is done by hand.
I begin with the first piece I made “Winter Trees Wept” which is about The Removal in the 1830’s of the Muscogee and four other tribes, the Choctaw, Chickasaw, Cherokee and Seminole from the Southeastern United States to Indian Territory, 1500 miles to the West. This was the most difficult piece for me as it contains the unbearable grief suffered by my people and by the land.
“‘Winter Trees Wept’ was the knife-edge that opened up the way into the richness of my Muscogee heritage. I began drawing in October 2012 and real and imagined worlds have been flooding onto blank paper; marks made and stories told in charcoal, mushroom compost, paint and pastels.
I have been taking up wire, clay, wool, twigs, bark, fabric, bird wings and claws and shaping some of the inhabitants of the Muscogee world.
Chufi (trickster rabbit), poyvfekcv fuswv (spirit bird), perro (boat), hvcce (river), enliketv poyvfekcv (soul shelter) and Birdman, a supernatural deity who resided in the Upperworld with the spirits of the Sun, Moon and Stars.
Everywhere, there are maps. I have printed off a map showing the location of the five tribes and the Removal routes to the West. This helps me to explain so much.
This map shows the Upper Creek Nation with our villages and towns along the Coosa and Tallapoosa rivers.
This work feels so important and deeply healing to me and my ancestors. It continues to be a privilege to share it with visitors to my studio and to my blog.
The quote which begins this post was recycled from this interview of Cree/Metis poet Marilyn Dumont